With Just In Mac Pro 2026 you can use multiple Capture IDs per licensed Channel. A classic application for this is to initiate parallel recordings for High-res (Capture ID 1) and Proxy (Capture ID 2) files and write them to specific storage destinations. Such a scenario is often used for MAM/PAM integrations.
Video Mode | Capture ID 1 | Capture ID 2 | Channels |
|---|---|---|---|
2160p5994 10-Bit | Apple ProRes422 HQ/MOV* | - | 8** |
2160p5994 10-Bit | Apple ProRes422 HQ/MOV* | H.264/MP4 (1080p5994)* | 6 |
2160p5994 10-Bit | Apple ProRes422 HQ/MOV* | H.264/MP4* | 3 |
2160p5994 10-Bit | Apple ProRes422 HQ/MOV* | H.265(HEVC)/MOV* | 5 |
2160p5994 10-Bit | H.265(HEVC)/MOV | - | 5 |
2160p2997 10-Bit | Apple ProRes422 HQ/MOV* | - | 8** |
2160p2997 10-Bit | Apple ProRes422 HQ/MOV* | H.265(HEVC)/MOV* | 8** |
2160p2997 10-Bit | Apple ProRes422 HQ/MOV* | H.264* | 6 |
2160p2997 10-Bit | H.264/MP4* | - | 6 |
2160p2997 10-Bit | H.265(HEVC)/MOV* | - | 8 |
2160p2997 10-Bit | DNxHR HQX/MXF | - | 4 |
2160p2997 10-Bit | DNxHR HQX/MXF | H.264/MP4* | 4 |
2160p2997 10-Bit | DNxHR HQX/MXF | H.265(HEVC)/MOV* | 4 |
1080p5994 10-Bit | Apple ProRes422 HQ/MOV* | - | 14** |
1080p5994 10-Bit | Apple ProRes422 HQ/MOV* | H.265(HEVC)/MOV* | 14** |
1080p5994 10-Bit | Apple ProRes422 HQ/MOV* | H.264/MP4* | 10 |
1080i50 10-Bit | Apple ProRes422 HQ/MOV | - | 16** |
1080i50 10-Bit | Apple ProRes422 HQ/MOV | H.264/MP4 | 16** |
1080i50 8-Bit | XDCAM HD422/MXF | - | 16** |
1080i50 8-Bit | XDCAM HD422/MXF | H.264/MP4 | 16** |
1080i50 8-Bit | AVC-I 100M/MXF | H.264/MP4 | 16 |
1080i50 8-Bit | AVC-I 100M/MXF | H.264/MP4 | 16 |
1080i50 8-Bit | DNxHD HQ | H.264/MP4 | 10 |
1080i50 8-Bit | H.265(HEVC)/MOV | - | 16** |
*Apple Media Engine supported (for ProRes: progressive video modes only!). Please contact the ToolsOnAir support staff to get additional information.
**More channels possible.